Dreamer in a Maze: Original Song

Hello, my lovely darlings! I’ll make this post short–I wrote a song titled “Dreamer in a Maze,” and I’d like to share it with you. Hope you enjoy! Lyrics are below.

“Dreamer in a Maze”

Sea breeze

Curling between my fingers

Holding up diamonds to the moon 

Who says she’s stolen enough?
Sleep, boy

You’ve cried away all the omens

You’ve taken a place with the old men,

Rigging up sails in their sleep. 


I won’t listen to fate; I don’t even listen to me.

When the anchor drops, I’ll be deep in Dreamer’s sleep. 


I’m a siren

I’m a haze

I’m a metaphor

Of the human I once was


In the blaze

Of the ocean

I’m a dreamer in a maze. 

I’m on the stage, dancing dreamer

Most of me’s drowning in my hopes

Quick, bring me back to the ship.




Storm sets in

Sails come down

Man fell overboard when summer turned brown

But his grip on his north-bound compass is tight 

‘Cause it tells him to swim on past the night. 

So it’s not perfect, but it was fun to write, and hopefully you liked it. Thanks for listening! Can’t wait to hear from you in the comments 😀


Characterization in Art and Writing

I happen to be an artist as well as a writer. As I’ve grown in both areas, I’ve realized that there are similarities between the two arts. One of my favorite similarities is characterization.
Characterization is hands-down my favorite part of writing. And why wouldn’t it be? I get to make my own imaginary friends!
Characterization can be hard, though; sometimes we think we’re characterizing when in reality we’re merely describing.
Jace is a twenty-one-year-old woman. She has blonde hair and blue eyes. She is wearing a pink shirt with jeans. She likes history and cats and surfing the Internet. One day, her parents kick her out of the house.
Jace is a twenty-one-year-old woman. She doesn’t go to college because of her severe social anxiety and depression. She lives in her parents’ basement with her three cats, Athos, Porthos, and Aramis. She’s a YouTuber who is popular for her hilarious (yet somehow still informative) videos about the role legumes played in ancient conspiracies. Three framed pictures of Napoleon Bonaparte hang on her wall. There’s a picture of her crush from high school taped on her microwave. She makes her bed every day even though she’s the only one who ever sees her room. One day, her parents kicked her out of the house.
Why do you feel more connected to her in the second example? It’s because I focused on the things that make Jace Jace. Her pink shirt isn’t that important when it comes to understanding her character, but when you see that she named her three cats after characters from The Three Musketeers, Jace comes to life.
But what about in art? Take this picture, for example:
2017-02-25 22.21.41
I drew this using pencil and charcoal a few weeks ago. I often have a hard time putting exactly what’s in my head on the paper, but this time I was pleasantly surprised. The dude in the sketchbook bore an uncanny resemblance to the main character of my historical suspense novel, Andrè Valapart.
It’s not easy. First, I had to make a mental checklist of Andrè’s most prominent characteristics. He’s schizophrenic (not a good thing in 16th-century Europe), so he’s got a lot going on in his head. He’s usually more annoyed at society than society is annoyed at him. He’s blunt. Introverted. Does mathematics in his spare time. Likes guns. The list goes on, but you get the idea. The real challenge is figuring out how to manifest those characteristics in a picture.
I started with his eyes.
Why? Because visually, they’re the most important part of him. They characterize him. One of my characters says to Andrè when Andrè is in the process of telling a lie, “You have to be truthful with me. Your eyes give away everything. If anyone ever had the courage to look you in the eye, they’d see straight through you.” So I focused on the eyes first, trying to make them as intense as possible. After that, his jaw (a firm one to make him look determined), his scowl (to add a touch of rebellion), and his skin (pale as a symbol of how ostrasized he is from society). The combination (hopefully!) gives Andrè an interesting face.
So how do YOU characterize in writing and/or drawing? How do you think the two activities compare? Comment below; I can’t wait to hear from you 😀

Starting a Novel: Part 2

Hey, guys! Here’s a continued list of tips on beginning a novel.

3. Not having a problem/goal

This will kill your motivation. I’ve tried to write scenes just for the fun of it (without all the work of figuring out why the scene is needed in the first place), and they always fell flat. Always. Great characters only make great characters if there’s an issue driving them, so be sure you know what the conflict is BEFORE you start writing.

4. …But I’m a pantser!

Sorry, my buddy, my pal, but yes. Even if you’re a pantser. Especially if you’re a panster. How are you going to be able to pants if you don’t know the thing that’s driving your character? Pants, but pants responsibly.

5. Not enough research

This one pains me. I write in the 16th century. When I started writing historical fiction when I was twelve years old, I knew nothing about the Renaissance, so I couldn’t visualize my story as I was reading it.

Luckily, I had the privelege of visiting Italy when I was fifteen, which helped me tremendously with my writing. I knew what the cobblestones felt like and absorbed the atmosphere of Venice. I also started researching extensively online; after that, I could write without getting stuck so much because I knew my topic. That’s not saying that you have to know everything before you start writing (only God knows how many hours I spent researching doorknobs when I should’ve been writing), but you do need to have a general idea of atmosphere before you start.
That’s that for today! Hopefully this advice is helpful 😀


Starting a Novel: Part 1

So you’ve been writing short stories and poems since you were in kindergarten. Your laptop is littered with fifteen first chapters for fifteen different novel ideas. What’s the difference between you and those authors who have fifteen complete novels?

The writing process is different for everyone, of course, but here are a few things that made the difference for me:


1. Not knowing your characters

Your characters can (and will!) change over the course of the novel whether you mean for them to or not. That’s just how writing works. Don’t panic if your character starts the novel performing electric guitar solos in front of thousands of people and finishes curled up in bed, holding a cup of coffee and humming Vivaldi. (Not that those two things are mutually exclusive. I personally find anyone who can bang out Mozart on electric guitar disturbingly attractive.) That just means that you’re figuring out what character best fits your story.

However, that doesnt mean you can start a novel without having some idea of who your main character is. Not knowing your characters can lead to writer’s block very, very quickly. Writing becomes exhausting when you’re hitting a character with event after event who doesn’t have a fleshed out personality to anchor him or her to your story and to nudge him or her forward.

How to fix this? Write out a list of traits and quirks your character has. Write a short story in a different format than your novel will be in (first person instead of third, modern-day instead of 1912). Experiment with your character by hitting him or her with events and see how he or she reacts. Do you like your character? Is he or she interesting? Is there room for growth? Are you willing to spend the next 80,000 words with him or her? If not, fix it. If so, great! Let’s move on!


2. Obsessing over the first chapter

You want your first chapter to be perfect. And it can be perfect. Just not right now.

This got me the first few times I tried my hand at a novel. I don’t know how many times I rewrote the first chapter.

Repeat after me: STOP.

Your first chapter for your first draft is a placeholder. That is all. You don’t fully know your story or your characters or what the heck you’re supposed to foreshadow. It’s impossible for your first chapter to be perfect right now. In fact, it’s probably going to be downright trash.

And that’s okay.

Just go on to the second chapter.


To be continued. À plus tard!